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Broken Mic is far from Broken

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By Audrey Connor

I’ve been hearing about Spokane’s poetry scene for a long time – I was even invited to observe or participate at least three times in the past couple of months. So last night, I thought I’d go check it out.

A half hour pre-Mic—maybe 1/5 of the actual mid-show crowd

As it happens, this particular Broken Mic—an open-mic for fiction, non-fiction, and poetry writers at Neato Burrito—was the RiverLit Zine debut celebration, so the focus of the evening for the first half hour was its contributors. (I picked up a copy of the hard-spined, glossy-paper zine for a tidy ten bucks, and as Taylor Weech assured us, “these will be collectibles someday.” RiverLit is a product of RiverSpeak, a website and community built on the principle of getting more Spokane artists moved into the public eye. Painters, sculptors, musicians, printers, dancers, poets—pretty much all are welcome and encouraged at RiverSpeak. The network’s Community ranges from amateurs to professional Spokane art-scene staples, and the entire scope of the website is dedicated to resources for Spokane artists (and art-lovers) to connect, submit, and be promoted. The RiverLit zine features 19 writers in 3 fiction and 17 poetic works in their summer issue, number 2 in a series orchestrated by Keely Honeywell and Weech.

 

Broken Mic itself is a fairly loose-formatted, all-ages welcome venue for writers (fiction, non-fiction, as well as poetry) to get up and strut their stuff. It’s pretty clear that it mostly comprises of regulars who attend every week; however I saw at least five people get up and read who’d never done so before, including the aforementioned RiverLit-ers. The entire operation is championed by Mark Anderson, who radiates earnestness and a sincere affection for language as well as the crowd that fills up Neato Burrito’s small space to embrace it.

Want a Summer RiverLit Zine? Check out Magcloud

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